oh whiskers!

about
my gifs
last.fm
goodreads
hello! theme by cissysaurus
05
11
5413
01
10

Jeff “The Dude” Bridges on The Daily Show, January 9, 2013

330
11
29
325
05
18

darrenaronofskys:

From top to bottom:

2001 A Space Odyssey, dir. Stanley Kubrick

Blade Runner, dir. Ridley Scott

Requiem for a Dream, dir. Darren Aronofsky

5772
05
15

Human condition at it’s worst

21461
03
26
moviefone:

Young filmmaker sends Martin Scorsese a note asking him for some viewing recommendations, and he responded with this list.

moviefone:

Young filmmaker sends Martin Scorsese a note asking him for some viewing recommendations, and he responded with this list.

1325
01
11

skibinskipedia:

THIS. [via]

Incredible. David Fincher films always have the best title sequences.

26
01
03
popculturebrain:

First Look: Jemaine Clement in Men in Black 3 | Collider

popculturebrain:

First Look: Jemaine Clement in Men in Black 3 Collider

102
10
10

In the DVD commentary, Mary Harron says that during the first shower scene with Patrick Bateman, all of the women on set gathered around to watch Christian Bale shower.

In the DVD commentary, Mary Harron says that during the first shower scene with Patrick Bateman, all of the women on set gathered around to watch Christian Bale shower.

1300
10
08
thefinalimage:

The Princess Bride, 1987 (dir. Rob Reiner)

thefinalimage:

The Princess Bride, 1987 (dir. Rob Reiner)

66
09
29
bbook:

Art is meant to penetrate you.  Violence doesn’t have to be an  act of  physical violence, it can be emotional violence, and it doesn’t  have to  be destructive, which can be a violent emotion, but not  necessarily a  bad one.  The DNA of art and war is very similar.  It’s  two very  powerful forces in our world that takes up a lot of our time;  but, where  war destroys, art inspires.  In my film I always approach  violence like  sex.  It’s all about the build up.  The climax itself is a  mechanical  procedure that we as an audience know is not true, so my  job is to make  the build up so engaging so that whatever happens in  front of us  actually affects us, but it only affects us because we  believe the  emotion before it. 
 The characters that I go through a lot in my movies, violence is   part of their catharsis.  They have to go through extreme pain and   suffering in order to obtain what they’re meant to be.

bbook:

Art is meant to penetrate you. Violence doesn’t have to be an act of physical violence, it can be emotional violence, and it doesn’t have to be destructive, which can be a violent emotion, but not necessarily a bad one. The DNA of art and war is very similar. It’s two very powerful forces in our world that takes up a lot of our time; but, where war destroys, art inspires. In my film I always approach violence like sex. It’s all about the build up. The climax itself is a mechanical procedure that we as an audience know is not true, so my job is to make the build up so engaging so that whatever happens in front of us actually affects us, but it only affects us because we believe the emotion before it.

The characters that I go through a lot in my movies, violence is part of their catharsis. They have to go through extreme pain and suffering in order to obtain what they’re meant to be.

253
09
17

Joel Coen had Frances McDormand and John Carroll Lynch conceive a back-story for their characters to get the feel of them. They decided that Norm and Marge met while working on the police force, and when they were married, they had to choose which one had to quit. Since Marge was a better officer, Norm quit and took up painting.

Joel Coen had Frances McDormand and John Carroll Lynch conceive a back-story for their characters to get the feel of them. They decided that Norm and Marge met while working on the police force, and when they were married, they had to choose which one had to quit. Since Marge was a better officer, Norm quit and took up painting.

76
09
17

William H. Macy begged the directors for the role of Jerry Lundegaard. He did two readings for the part, and became convinced he was the best man for the role. When the Coens didn’t get back to him, he flew to New York (where they were starting production) and said, “I’m very, very worried that you are going to screw up this movie by giving this role to somebody else. It’s my role, and I’ll shoot your dogs if you don’t give it to me.” He was joking, of course.

William H. Macy begged the directors for the role of Jerry Lundegaard. He did two readings for the part, and became convinced he was the best man for the role. When the Coens didn’t get back to him, he flew to New York (where they were starting production) and said, “I’m very, very worried that you are going to screw up this movie by giving this role to somebody else. It’s my role, and I’ll shoot your dogs if you don’t give it to me.” He was joking, of course.

194
09
08
minimalmovieposters:

American Psycho by spamkitty

minimalmovieposters:

American Psycho by spamkitty

647
09
08
strangewood:

“If you ask me to play myself, I will not know what to do. I do not know who or what I am.”
The late great Peter Sellers, born 86 years ago today.

strangewood:

“If you ask me to play myself, I will not know what to do. I do not know who or what I am.”

The late great Peter Sellers, born 86 years ago today.

457