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blackcontemporaryart:

Awol Erizku, Heads,  2013, Grid of nine archival pigment prints in custom white frames

blackcontemporaryart:

Awol Erizku, Heads,  2013, Grid of nine archival pigment prints in custom white frames

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Sharon Core (below, 2004) recreates Wayne Thiebaud’s Cakes (above, 1961) by hireing a baker that recreates the pop artist’s cakes and capturing them in the exact same lighting and framing.

(Source: momo-de-avis)

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jonyorkblog:

Lisa AdamsOn the Scent, 2011
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fer1972:

Incredible Embroidery Artworks by Ana Teresa Barboza

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ryanpanos:

Human Debris | Jeremy Underwood | Via

Human Debris is a commentary on what humans leave in the natural landscape. The project spotlights the environmental condition of Houston’s waterways through the building of site-specific sculptures assembled out of harvested debris collected from the beach.  Each found material lends itself to a new creation, encompassing the former life of the debris into each sculpture. These objects are simply artifacts to support the work, photographed in interaction with the landscape, then left to be discovered.  This work challenges viewers to reflect upon our consumer culture, the relationship we have with our environment, and the pervasion of pollution.

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calodaemon:

"The Sandman" by Salvador Dali.

calodaemon:

"The Sandman" by Salvador Dali.

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free-parking:

Olafur EliassonYour Rainbow Panorama, 2006-2011

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kateoplis:

Rod Penner’s paintings

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wetheurban:

SPOTLIGHT: Valerie Hegarty’s Alternative Histories 

Truly breathtaking. NYC-based artist Valerie Hegarty’s artwork often poses as artifacts of art history gone awry.

Read More

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(Source: byyourleave)

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Wildeworld (1955) & Wildeworld Revisited (1995)

John Wilde | Milwaukee Art Museum

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2headedsnake:

Paper artist Lisa Nilsson recently completed new anatomical pieces using her profoundly incredible skill with quilling, a tedious process where paper is tightly wound into small rolls and then assembled into larger artworks.

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